Monday, January 27, 2020
What Political Issues are Important to the Elderly?
What Political Issues are Important to the Elderly? Because Americans are living and staying healthy much longer than they were just 50 years ago, reaching the age of 65 and becoming a Senior Citizen is no longer the major milestone it has been in the past. As a result, many people stay active and productive by working to the age of 65 and beyond. Even so, and although everyone ages differently, at some point the aging process catches up with all of us. For some it occurs well before the age of 65, but many can and do remain healthy and active well into their 80s and even 90s. The end result is that the median age of the general population is increasing causing a phenomenon often referred to as the Greying of America. With people living longer, accompanying a reduction in fertility rates, there is a higher percentage of elderly people in the general population than there has been in the past. Because this country is a democracy where each citizen has the right to vote, an increase in the number of older people means there will be mo re focus on laws, social programs and legislation involving the concerns of that segment of the population. Although the current hot political topic involving healthcare is The Patient Protection and Affordable Care Act (PPACA), commonly nicknamed Obamacare, the number one issue with most seniors at this time however is not Obamacare it is Social Security. After becoming law on August 14, 1935, Social Security has proven to be the number one anti-poverty program in the United States serving roughly 43,317,000 individuals as of January 2017. Being so, many seniors receiving Social Security benefits rely on this program for most if not all their daily living expenses. Due to the Federal Governments own admission that the Social Security Trust Fund in nearing insolvency, it stands to reason then that the viability of the Social Security program is our seniors major concern. Following closely behind social security in importance to seniors is Medicare another entitlement program that, like Social Security, automatically becomes effective when a qualifying citizen of the United States reaches the age of 65. Medicare is the vehicle through which a majority of seniors receive healthcare benefits. This program is also facing a financial crisis. According to information from the Centers for Medicare Medicaid Services (CMS) the total number of Medicare beneficiaries in the U.S. during the year 2016 is roughly 55.5 million. With the increasing number of individuals qualifying for these two entitlement programs accompanied by a constant increase in the cost of medical services and prescription medications, the price tag for both these programs will continue to increase. When you color in that fact that the Federal Government spent a total of 916 Billion Dollars on Social Security payments and 595 Billion Dollars on Medicare bills for a grand total of $1,511,000,000,000 USD or roughly 50% of the total amount of money collected in taxes by the Federal government last year (2016), it doesnt take a rocket scientist to figure out where this is headed. Regardless of the cost or the reasons the simple fact remains a substantial number of retired folks depend on these two programs for a majority of their day-to-day living expenses which is why they regard Social Security and Medicare to be of more importance to them than the fate of Obamacare. It is important to note here that many of the people who depended on personal savings, retirement plans, pensions and other savings plans to replace their paycheck as a means of support during retirement found that this means of income is less than reliable. The reason this is true is beyond the scope of this paper for there are almost too many to count. Even so, the fact remains most people have little or no additional retirement savings to rely on other than Social Security. In truth, most private retirement plans are a thing of the past except for Government Pension Plans. If you had worked for any governmental body from Municipal, State or Federal you were awarded a retirement pension to go along with your paycheck. Pension payments cost lots of money. A case in point: the Federal Government paid out 983.7 Billion Dollars to retired Federal employees in 2016 alone. That is 67.7 billion dollars more than the total amount of taxpayer money the Federal Government paid out in Socia l Security payments that same year (983.7 916 = 67.7 Billion). Granted, since 1984, some Federal employees were required to pay Social Security Taxes so they qualify to receive Social Security benefits when they reach the age of 65 however, their Social Security payments are in addition to their retirement pension which is taxed at the much lower rate during retirement rather than the much higher rate it would have demanded when the money was paid in. What does this mean? It means that whoever was in charge of the Federal Retirement Pension Plan should have been in charge of Social Security. Can this issue be fixed? Yes, but NOT without hurting some feelings. The facts are: According to the Social Security Administration, 48% of married couples and 71% of unmarried persons rely on Social Security for 50% of their day-to-day living expenses. Another 20% rely on Social Security for a significant percentage of their living expenses. This means that a large percentage of those receiving Social Security payments that do not need these monthly payments in order to live comfortably in retirement but because they paid into the system are qualified to get them. What happens when the Social Security system crashes and burns? After years and years of contribution nobody gets paid the political fallout alone would be enormous? So enormous in fact that todays politicians are avoiding the issue like the plague even as the people in charge of Social Security and Medicare beg them to do something (Social Security and Medicare, 2016). Is there an alternative to crash and burn? Yes but it isnt pretty. What needs to happen is for Social Security to become a means tested benefit program instead of an entitlement program which would initially free up enough money to carry Social Security into the future and make it available as the stop gap program for future generations as the program was originally intended to be. The next thing to do is to put the money collected into the bank and not let politicians write IOUs and take the money and spend it on something else like war or anything else for that matter. Would you take your kids allowance and give them and IOU and blow the money of something you wanted to buy and tell them you will pay them back when they really needed the money? No teenager I know would go for that line so should we? The alternative is not only ugly it could very well tear this country apart. Whats really scary is that like the sunrise its coming. References Affordable Healthcare ObamaCare Facts http://obamacarefacts.com/affordable-healthcare/ FDR signs Social Security Act Aug 14, 1935 HISTORY.com www.history.com/this-day-in-history/fdr-signs-social-security-act Fear mongering Oxford Dictionaries https://en.oxforddictionaries.com/definition/fearmongering Home Centers for Medicare Medicaid Services https://www.cms.gov/ Monthly Statistical Snapshot, January 2017 Social Security https://www.ssa.gov/policy/docs/quickfacts/stat_snapshot/ Alliance for Retired Americans https://retiredamericans.org/ A SUMMARY OF THE 2016 ANNUAL REPORTS, Social Security and Medicare Boards of Trustees, Status Of The Social Security And Medicare Programs. https://www.ssa.gov/oact/trsum/ Medicare Spending Analysis Charts Tables History www.usgovernmentspending.com/medicare_spending_by_year Social Security Spending Analysis Charts Tables History www.usgovernmentspending.com/social_security_spending_by_year US Federal Budget Analyst, Actual 2016 http://www.usfederalbudget.us/federal_budget_estimate_vs_actual_2016 United States Department of Labor / Bureau of Labor Statistics https://data.bls.gov/pdq/SurveyOutputServlet
Sunday, January 19, 2020
Meaning of life †Question Essay
Freud, like Newton and Darwin, did not consider himself to be a philosopher but had an enormous influence over philosophy, he believed that to consider the question: â€Å"what is the meaning of life? †is a waste of time. The question, he thought, is rather meaningless and has no ultimate answer, asking it is being somewhat like asking what the color of time is (Mason). There are serious arguments that can be advanced in support of this point of view, especially if we agree that meaning is not something inherent to events, things, and other processes and so on, but something we ascribe to them (Mason). To think otherwise would involve ascribing them something that is a product of our intellect and consciousness. The meaning of X, whether X is an event, a thing, or a process, is actually the connection or a set of those connections X has with other events, things, and processes and so on, which we choose to consider to be of particularly importance to us (Mason). This is why the same events have different meaning for different people. For a Chinese, be he a Communist or an anti-Communist, the meaning of the war in Korea is that it marks the end of a century of national humiliation and a permanent threat of devastation through a long series of military defeats by foreign powers; for an American, the meaning of that very same war is that it put an end to the attempts to expand by direct military invasion the influence of Chinese Communism (Adams). There are undoubtedly countless amounts of explanations to this riddle, and there are many circumstances that can change one’s perspective towards this problem, but ultimately, there is no right or wrong answer. Paragraph 2: Everything changes radically, of course, if we belong to a Church. Everything is noted under God’s eye For believers, their life long goal is to sustain God’s knowledge and go his way. Go to the right passage and obey his â€Å"laws†Their passage of life consists of saving one’s immortal soul. Duty of life makes up the meaning of life. Paragraph 3: The practical Romans grasped something that over the head of two millennia of Christianity resonates with contemporary pragmatism, and with the life philosophy resumed in the dictum â€Å"the meaning of life is life itself†Meaning of life is life itself Living the life in happiness is the meaning of life. Anything that fits you the best will become your meaning of life. Find out your goals, what you want to achieve life, and that will become your meaning of life ultimately. Limitations will apply. Paragraph 4: Living your life according to this life philosophy, which is the most commonly chosen among the life philosophies derived from the answer â€Å"the meaning of life consists in living life†, is usually not too difficult for a â€Å"normal†person living under â€Å"normal†circumstances. Meaning of life depended on the status of the person. Meaning of life is to live a good life. Do not know what exactly is a good life but a good life will be noted. Everyone has different meanings to life. Paragraph 5 (Conclusion): But be it Confucius, Aristotle or even Kant with his theory of being impossible to achieve moral perfection or any other of the great minds each of whom spent years of their lives trying to provide humanity with an answer to the fatal question, essentially, they trying to tell us what to live for and how to live. Namely, almost all the answers they offered have the same basic flaw: when they are workable at all, they work only for very few exceptional individuals and are way beyond the reach for the rest of us (Shields); us, those weak, silly and prone to sin creatures that make up the vast majority of humankind. Luckily, this vast majority do not worry too much about what great minds have in mind, but just live their lives as they best can according to their own, petty, senseless wishes and notions (Metz): work their gardens, even if they never heard of Voltaire, and whether they know that Freud existed or not, do not waste their humble intellectual potential trying to answer a question that has no answer (Metz). The rest is a senseless waste of time, â€Å"Primum vivere, deindre filosofare†, and if you spend too much time and effort philophizing, you will have no time nor energy to live, which involves earning money to pay the bills. As to the great eternal and fundamental questions, let’s leave them to professional philosophers whom society pays to do this specific job, as it pays plumbers to do the plumbing, scientists to explore nature, nurses to help the sick, the clowns to entertain us.
Saturday, January 11, 2020
Pablo and Braque: Art after World War I Essay
World War I left a tremendously lasting impact all over the world. The economic, social and governmental devastation were immeasurable. The war begins in 1914 and lasted four years. Eight million people lost their lives many being civilians in what has been called the Great War.   Europe was left totally destroyed economically and socially. Europe fell due to how much the war cost and increased inflation forcing them to print more money (http://www.pvhs.chico.k12.ca.us/~bsilva/projects/great_war/effects.htm).  The bleak future caused many to slip into a depressive state because of the ugliness of the war. Europe was forcibly ushered into the industrial age. Those who enjoyed financial comfort before the war were now facing poverty (http://www.art-ww1.com/gb/present.html).             It is hard to imagine then the destructive nature a war could have on the artistic community of that time. Many artist including Braque joined the war leaving behind their talents to pursue battle on the military front. Fighting side by side with their countrymen some lost their lives or sustained major wounds. Other artist witness the effect the Great War had in their home county. However, all were left with a lasting impact that was conveyed through their art work.  Boccioni, Macke, and Marc among others lost their lives fighting or a result of the war. Artists like Picasso and Gris were not asked to enlist to fight because they were in neutral countries. However, many of the artists enlisted because of loyalty to their country or to be part of the drama of the war. Up until this period artists did not have to become part of the war (http://www.art-ww1.com/gb/present.html).            After the war, many artists relived the memories of the war through their sketches and drawings. Others were so depressed by what they saw took their artwork in an opposite direction. Paintings were mainly of city life. There was a hesitation to show the cruelty of the war. Many photographers would only print pictures that show bodies of the enemy, but later photographs of bodies of Germany and French soldiers were shown lying next to each other. (http://www.art-ww1.com/gb/present.html).            The Treaty of Versailles was only a symbolic end to the war. The after effects of the war were still sending shock waves long after the signing of the treaty. Governments became more liberal and Germany angered over the humiliation forcibly lead to the Second World War (http://www.pvhs.chico.k12.ca.us/~bsilva/projects/great_war/effects.htm).  The war had a tremendous impact on the artistic community during and after. Two notable artists of that time Braque and Picasso each reacted to the war through their artistic en devours. For one their faceted style was maintained after the war while the other was left temporarily unable to paint transcended into more still life and back brilliant colors perhaps to phase out the bleakness of the war. Braque’s and Picasso’s style differed after thee war due to the destruction left by the war, Braque’s injury sustained during the war, and notoriety of Picasso during and after the war.            World War I lasted from August 1914 to November 1919. It involved most of Europe and the United States. It was fought from every conceivable position-air, above ground, underground, on water, and under water. This was the first total war where countries used their total population and resources to fight. France lost a whole generation by taking the lives of millions of Frenchmen (Encarta 2005, World War I). The massive body count could not be conceived until the war had ended. The world had not had a war that impacted the entire world until this one. It was only referred to as World War I when World War II begins until then it was called the Great War. It begins with the assassination of Archduke of Ferdinand in 1914 and ended with the demised of three empires: Germany, Russia, and Austro-Hungary. The war sped up the revolution of Europe ushering the technological and scientific age. The war gave rise to the Soviet Union and the Nazi regime because of the humiliation felt by Germany. The face of central Europe was changed for the next twenty years. Painters of every conceivable kind were on the front lines fighting side by side their comrades. Several died during the war such as Boccioni, Macke, Marc and La Fresnaye. Neutral countries such a Spain the home to Picasso and Gris were not asked to fight. Artist s from every genre was asked to fight. Legar was a stretch-bearer, Kokoschka a cavalryman, and Beckmann a medic. They all wrote and painted about what they saw and did.   These artists left a heart wrenching account of the devastation of the war. Their artwork is a testimony.            Little research has been done or their artwork has been forgotten. This probably due to the painful memories associated with the war. Others who made it through chose not depict the drama of war and their style became totally different than before. (http://www.pvhs.chico.k12.ca.us/~bsilva /projects/great_war/effects.htm).            One such artist was George Braque who style after the war was different in color and subject matter. He was one of their own from France who fought in the war. He was born in Argenteuil-sur-Seine which was later the home of the impressionist movement. His father and grandfather were both house painters and young George followed in his father and grandfather footsteps. At age 15 Braque’s family moved to Le Haurve and George started taking courses at a local art school. He started his career as an interior decorator. Braque moved to Paris at age 17 to fully submerse himself in his passion for space and color. He enlisted into the military and in 1902 with the financial backing of his family he attended a private art school the vole des Beaux-Arts. He was inspired by African and Greek sculptures and often the visit the Lourve for ideas (http://www.mes.csuhayward.edu/~malek/Braque.html).            George Braque painting was influence greatly by the Fauves-Matisse and Derain. Their wild eclectic style was called Fauvism. Fauvism emphasized wild vivid colors like that of Van Gogh (Encarta 2005 Fauvism). Like some of the artist of the time Braque wanted to challenge the traditional themes in artwork. He wanted his paintings to evoke an emotion, a discussion, and a mood. He accomplished such a task with works like Antwerp and Landscape at La Ciotat of 1906. These paintings showed the vivid colors of Fauvism, but little line . After a year of Fauvism, Braque became impressed by the styles of Paul Cezanne call the father of â€Å"modern art†(Cezanne, Encarta 2005). Cezanne artwork was the opposite of Fauvism. It restored order to the style of the â€Å"wild beasts†of Matisse and Derain. This when the cubist style was formed. Braque admired the way Cezanne’s â€Å"distorted forms†led Braque to immolate that style (http://www.mes.csuhayward.edu/~malek/Braque.html). Cubism defies convention just like Fauvism, but unlike his early work everything-landscapes, houses, people-are reduced to geometric cubes. The colors were bland and the subjects were unemotional. Such as one of his earlier cubist work Little Harbor in Normandy of 1909.            Cubism can be broken into two genres: Analytical Cubism and Synthetic Cubism. It was then in 1909 when Braque formed a friendship with Pablo Picasso that together they revolutionized the Cubist movement. Analytical cubism lasted for roughly two years. From 1911 on synthetic cubism became known. In both genres geometric shapes were used, but now the subject was less fragmented and more recognizable (http://pablo-picasso.paintings.name/). Cubism originated from a rivalry between Picasso and Matisse. Matisse Blue Painting caused a scandal at the exhibit the Paris art show. This how Matisse and others received the title Les Fauves. At around the same time Picasso produced Desmoiselles and young artists that once followed Matisse now begin emulating the style of Picasso including Braque. This infuriated Matisse and others to the point of rejecting all of Braque’s work. Matisse tried to discredit Braque’s work by showing how it was made out of little cubes and that this artistic style was easy to replicate. The term cubism was born and catapulted Braque and Picasso. It marked the beginning of abstract art, even though the art form should dimensions of the subject being painted. Nonetheless, cubism owes it creation to notable artists (http://pablo-picasso.paintings.name/).            In the beginning Picasso’s and Braque’s work dealt with neutral colors and subdued subjects. Objects were shown from a 3-dimensional perspective (http://painting.about.com/). An early example of his work is the Violin and the Candlestick represented analytical cubism. The subdued colors along with the geometric shapes are seen. However, one can not called this artwork fully abstract as the subjects of the painting are still visible and the three dimensional sides are visible (http://images.google.com/imgres?imgurl=http). Braque and Picasso worked so closely together that at times their work was indistinguishable (http://www.safran-arts.com/42day/art/art4aug/art0831.html#cmc).  Both he and Picasso began experimenting with collage and would add bits of objects such as paper to their artwork (http//www.mcs.csuhayward.edu/~malek/Braque.html).            Pablo Ruiz y Picasso was born in Malaga, Spain. He can be called a genius in the art world and undoubtedly a brilliant painter. His father was an art professor so he was destine from birth to become one of the most immovable faces of art (http://www.biography.com/picasso). He moved to Paris where many friendships formed with other artists including George Braque. His work is labeled by different periods. The Blue period showed his use of the color and a representative of the mood of the time. His Rose period featured a more primitive style of art. However, it was the art form of Cubism that made Picasso famous. He shocks his fans and critics with Les Demoiselles d’Avignon (1907). In this work he used African themes with unemotional subjects painted with varying shades of color (http//www.mcs.csuhayward.edu/~malek/Braque.html).            The bond formed between Braque and Picasso was broken by the First World War. Braque like many artists enlisted into the French Army to show loyalty for his country. Braque served in the Great War for two years: 1914 to 1916. Braque entered the army as a sergeant. He was decorated twice for bravery. During the war he sustained a significant head wound in 1916 which left him temporarily blind. He spent several months recovering in a hospital. After, he was sent to a nursing home where he spent his time expressing quotes about life and art that start long before the war. A friend put together a book with all of Braque’s â€Å"aphorisms†.  Braque did not begin painting again until 1917. He rejoined the Cubist movement after the military which was now in the synthetic phase (http://www.free-termpapers.com/tp/5/ame43.shtml). Perhaps due to the cruelty of the war or the sever head wound he sustained while fighting, his artistic style quickly changed. Braque left the theme of traditional cubism and returned more to his original roots. He started using more â€Å"softer†drawings, brilliant color and more of an personal influence as in his work the 1919 Playing Cards (www.megaessays.com/ viewpaper/21985.html).. His paintings became more textured after moving to the coast of Normandy. He did not reflect the war in his work, perhaps not wanting to relieve the pain of the war. Braque along with painting also became an engraver, lithographer, and a sculptor. He along with Loewenfield turned his paintings into different images such as jewelry and books. Both had a love for precious stones which solidified their friendship. The idea of taking 2-dimensional objects and turning them into 3-dimensional objects allowed them to create over 100 different jewels. The Apollon Gallery featured their work in 1963 later that year Braque passed away at the age of 81 (www.genesisgallery.com/html/bios/373.html).            During the Great War, Picasso went to Rome where he met and married a Russian dancer named Olga Koklova. In Rome he worked with designer Sergey Diaghilev. He made several portraits of their son (Paulo as Harlequin, 1924) and of their friends. His work reflected neoclassical style showing voluptuous women (Women at the Spring, 1921) and mythological beings (The Pipes of the Pan, 1923). Picasso also picture strange creatures and crudely painted women (Sleeping Woman in Armchair, 1927) which may have indicate trouble in his first marriage (http://cgfa.sunsite.dk/picasso_bio.htm). After the war, went further in his exploration of his style. He emphasized color and dream-like images. Although it appears that Picasso’s artwork wasn’t greatly affected by the war like Braque. Picasso being a spanish citizen living in Paris was able to continue his work. However, he wasn’t without grief. The country was feeling the ill effects of the war and Picasso had to deal with the scrutiny of his friends not having to enlist. His paintings reflected the depressive mood of that time. Picasso had to also deal with the passing of his lady friend Eva Gouel (http://www.sparknotes.com/biography/ picasso/ section8.rhtml).            After the war he tried to stay close to cubism, but was also developing a unique style of his own. He returned to more traditional styles maybe in attempt to be recogzed for his own work and not be associated any longer with the cubist movement and his close friend Braque. It is not noted if their friendship continued after the war. Picasso struck up a friendship with a young poet and became involved with the Russian ballet (http://www.sparknotes.com/biography/ picasso/ section8.rhtml).            The War left major devastation in it is path. No one was left unaffected by the fighting especially the artistic community. Braque and Picasso were the 20 century most notable artists. Their style impacted not only the artistic community but all who enjoy art. However, the war seems to have left a permanent impact on George Braque as seen in his latter artwork. His style softened a contrast to the harshness of war. He focused on still life perhaps to view the world as calmer and beautiful. Picasso artwork changed very little. The notoriety he obtained probably shielded him from the devastation of the war. Perhaps, not being on the front lines allowed him to miss out on the cruelty that came from the war. Whatever the reason, both before, during and after the war, became two great artists emerging and remaining among the brilliance of the 20th century.    Bibliography            http://www.pvhs.chico.k12.ca.us/~bsilva/projects/great_war/effects.htm            http://www.art-ww1.com/gb/present.html.             World War I, 2005 Encarta Encyclopedia.             http://www.mes.csuhayward.edu/~malek/Braque.html            Fauvism, 2005 Encarta Encyclopedia.             http://pablo-picasso.paintings.name             http://painting.about.com/             http://images.google.com/imgres?imgurl=http             http://www.free-termpapers.com/tp/5/ame43.shtml             www.megaessays.com/ viewpaper/21985.html            www.genesisgallery.com/html/bios/373.htm             http://cgfa.sunsite.dk/picasso_bio.htm            Cezanne, 2005 Encarta Encyclopedia            (http://www.sparknotes.com/biography/ picasso/ section8.rhtml).             http://www.biography.com/picasso
Friday, January 3, 2020
Globalization Has Affected World Health - 1356 Words
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